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As I Remember It: Teachings (Ɂəms tɑɁɑw) from the Life of a Sliammon Elder

Introduction: Listening to Ɂəms tɑɁɑw

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5. Hospital (2)
6. The Powell River Royal Canadian Mounted Police
7. A Day in Town
8. Fish Traps (1)
9. Fish Traps (2)
10. Day School
11. Boat Ramp at the Shinglemill
12. Bows and Arrows Powell River community members commemorated British Columbia’s centennial by dressing up in costumes that reflected their imagination of how “Indians” and “pioneers” looked in the nineteenth century. This was a common practice in settler communities in Canada and the United States. Settlers “played Indian” for reasons that ranged from political protest to entertainment. The act of “playing Indian” expressed a settler sense of entitlement to the places that they or their ancestors had colonized. The costumes did not demonstrate meaningful relationship or engagement with Indigenous peoples or practices. Today, we understand these occasions to be forms of cultural appropriation.
13. Children “Playing Indian” Powell River community members commemorated British Columbia’s centennial by dressing up in costumes that reflected their imagination of how “Indians” and “pioneers” looked in the nineteenth century. This was a common practice in settler communities in Canada and the United States. Settlers “played Indian” for reasons that ranged from political protest to entertainment. The act of “playing Indian” expressed a settler sense of entitlement to the places that they or their ancestors had colonized. The costumes did not demonstrate meaningful relationship or engagement with Indigenous peoples or practices. Today, we understand these occasions to be forms of cultural appropriation.
14. Willie and Stanley
15. Patricia Theatre
16. Golfing “Indian” Powell River community members commemorated British Columbia’s centennial by dressing up in costumes that reflected their imagination of how “Indians” and “pioneers” looked in the nineteenth century. This was a common practice in settler communities in Canada and the United States. Settlers “played Indian” for reasons that ranged from political protest to entertainment. The act of “playing Indian” expressed a settler sense of entitlement to the places that they or their ancestors had colonized. The costumes did not demonstrate meaningful relationship or engagement with Indigenous peoples or practices. Today, we understand these occasions to be forms of cultural appropriation.
17. Society Lady “Indians” Powell River community members commemorated British Columbia’s centennial by dressing up in costumes that reflected their imagination of how “Indians” and “pioneers” looked in the nineteenth century. This was a common practice in settler communities in Canada and the United States. Settlers “played Indian” for reasons that ranged from political protest to entertainment. The act of “playing Indian” expressed a settler sense of entitlement to the places that they or their ancestors had colonized. The costumes did not demonstrate meaningful relationship or engagement with Indigenous peoples or practices. Today, we understand these occasions to be forms of cultural appropriation.
18. Patricia Theatre, Interior
19. Rodmay Hotel
20. tiyskʷɑt (1)
21. Sing Lee Building
22. The Dam
23. Rodmay
24. Walnut Lodge
25. Lodge Interior
26. Hospital (1)
27. Hospital (3)
28. Settlers’ Camp
29. The Mill
30. Cafeteria
31. Dam Construction
32. Powell River Motor Traders
34. Designated Area
35. We Were Already Here
36. The Chinese Restaurant
37. Preparing Fish and Community Drive-Through
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23. Christmas Blankets
24. Elders and Cedar Roots
25. Elsie at Deep Bay
27. Cutting Fish
29. Wedding Day
30. Christmas (1)
31. Mother’s Day, 1980
32. Elders and Friends
33. Elsie and Glen (2)
34. Assessing the Catch
35. Elsie and Glen (1)
36. Elsie and Stella
37. mɑksɛmɑ’s Cabin in toχʷnɑč (Okeover)
38. Graduation (1)
39. Preparing an Offering
40. First Home
41. Prince William
42. Party at Elsie Paul’s House
43. Elders' Gathering
44. At the Elders Lodge Elsie Paul with ɬaʔamɩn Elders when she was running the Elders’ program. Front row, from left: Elsie Paul, Henry Bob, Katherine Blaney, Mary Harry, Rose Louie (behind Mary), Joe Paul Sr. (behind Rose), Willie Bob, Calvin Harry. Back row, from left: Louise Bob, Marie Hackett (behind), Nora Wilson, Annie Dominick, Dave Dominick, Agnes McGee, Rose Peddie, Peta Francis (Okee Dokee), Johnny George, Charlie Charlie, Peggy Harry.
45. Having a Laugh
46. Working Out
48. Retirement
49. Bride and Groom
50. Joining Council
51. Baby Glen
52. The Ladies
53. The Children at Home
54. Visiting with Annie and Norman Gallagher
55. Elsie at Steveston in the Late 1940s
56. Friends (1)
57. Language Work Linguist Honoré Watanabe stands behind ɬaʔamɩn Elders at the Elders Lodge. Elsie was caretaker and lived at the Elders Lodge for many years. From left: Marion Harry, Mary George, and Elsie Paul. Honoré worked extensively with these three women over more than two decades, living with Elsie during his time in Sliammon. Marion was Elsie’s “little sister” at residential school and worked with Honoré to transcribe and translate the selections in Sliammon language included in this publication.
58. Elsie at Home
59. Sliammon Village Waterfront
60. A Day in Town
61. Collaborators
62. Elsie and Teresa at the Cannery
63. Elsie and Cathy (2)
64. Elsie and Cathy (1)
65. Boat to Westview When this photo was taken, it was quicker to get to town by boat than by foot, since people didn’t have cars yet. Peggy Harry is at the back of the group (with barrettes in her hair); Molly Timothy is on the right (with headband); Elsie Paul is in the centre (with flowers in her hair); Stella Timothy is centre right, beside Elsie; further right, holding a baby, is Agnes McGee, and in front of her is Sosen Galligos. Smokey John is on the left (wearing a hat), and lɑsɑ is in front of him.
66. Elsie, Agnes, and Children
67. Party Time
68. On the Town
69. Newlyweds
70. Wearing Slacks
73. Repatriation
74. Going to Church (1)
75. Settlers’ Camp (1)
76. Dedicated Work Partners
78. Siblings Elsie Paul with her siblings at her brother Barney’s house in the early ’80s. Standing, from left: Teddy Francis (Elsie’s brother), Leo Francis (Elsie’s brother), Lillian Francis (Elsie’s niece, Barney Francis’s daughter), Elsie Paul, Doreen Hopkins (Elsie’s sister), Charlene Francis (Elsie’s niece), Jason Francis (Elsie’s nephew), Greg Francis (inch, Elsie’s nephew). Seated, from left: Aunt Agnes McGee, Rita Francis (Elsie’s sister), Nancy Phillips (Elsie’s sister), Vangie Francis (Elsie’s niece), Elizabeth Blaney (Elsie’s sister), Lily Timothy (Elsie’s mother).
79. A Visit with Auntie Katherine
81. Christmas with the Girls
82. Baby Marlane
83. Traditional Prayer Songs
88. Honorary Doctorate
89. Helping Ma
90. Going to Church (2)
91. Elsie Paul with King of the Sea
92. Childhood Friends
93. Paul Family
96. Important Medicine
97. Beautiful Baskets
99. Author Group (7)
100. The Shield
101. Friends (2)